" Always In The Mood " de Shirley Jones est le cent quarante deuxième album du label . Il est édité en Amérique sur le label Philadelphia International Records ST 53031 / CDP 7-46423-2 [ US ] , en Europe sur le label Philadelphia International Records 1 A 064-24 0590 1 [ EU ] et en Angleterre sur le label Philadelphia International Records PHIL 4000 [ UK ] en 1986 .

L'édition Américaine sur le label Philadelphia International Records ST 53031 [ US ] .

L'album est enregistré au Sigma Sound Studios de Philadelphie , Pennsylvanie , au Kajem Studios , au Lighthouse Studios de Los Angeles , CA et au Yamaha International Recording de Glendale , CA sous la direction de Arthur Stoppe , Barney Perkins , Gene Leone , Jeffrey " Woody " Woodruff , Joe Alexander , Joe Tarsia , Mike Tarsia , Mitch Goldforb , Peter Humphreys , Scott MacMinn assistés de Adam Silverman , Armand Pocoroba , Jim Campbell , Joe Hauserman , Randy Abrams et Ryan Dorn . Les arrangements sont de Larry Davis ( A1 , A2 ) , Dexter Wansel ( A3 ) , Reggie Griffin ( A4 ) , Al McKay , Zane Giles ( B2 , B4 ) , Larry Davis , Tony Davis ( B3 ) et dans le doute Kenny Gamble , Leon Huff ( B1 n'étant pas crédité ) . Les musiciens qui participent à cet enregistrement sont Shirley Jones ( Backing Vocals A3 ) , Cindy Mizelle , Reggie Griffin , Shirley Jones ( Backing Vocals A4 ) , Barbara Ingram , Carla Benson , Evette Benton , Shirley Jones ( Backing Vocals B1 ) , Adrina Steele , Zane Giles , Lynn Davis ( Backing Vocals B2 , B4 ) , Larry Davis , Tony Davis , The Whitehead Brothers " Kenny & Johnny " ( Backing Vocals B3 ) , Rayvon Covington ( Bass Guitar A2 , B3 ) , Steve Green ( Bass Guitar A3 ) , Jimmy Williams ( Bass Guitar B1 ) , Larry Davis ( Guitar , Synthesizer , Drums A1 + Keyboards A2 + Drum Programming , Trumpet & Synthesizer [ Fairlight ] B3 ) , Ron Jennings ( Guitar A3 ) , Reggie Griffin ( Guitar , Drum Machine , Synthesizer A4 ) , Dennis Harris ( Guitar B1 ) , Al McKay , Zane Giles ( Guitar B2 ) , Al McKay ( Guitar B4 ) , Clifford " Pete " Rudd ( Drums ( A3 ) , Quinton Joseph ( Drums B1 ) , Fred Johnson ( Drums B2 , B4 ) , Johnny O " Juan Ortiz " ( Percussion A2 & Saxophone B3 ) , Larry Davis , Tony Davis , William Lacy ( Percussion B3 ) , Fred L. Person ( Percussion B2 , B4 ) , Dexter Wansel ( Keyboards A1 , A3 ) , Ted Baker ( Keyboards A3 ) , Leon Huff ( Keyboards B1 ) , Zane Giles ( Synthesizer B2 , B4 ) , Billy Osborne ( Keyboards B2 , B4 ) , Bunny Sigler ( Piano , Backing Vocals A1 & Saxophone A2 ) , Sam Peake ( Tenor Saxophone B1 ) , Gerald Albright ( Saxophone B4 ) , Randy Cantor ( Programmed Synthesizer [ Fairlight ] A3 ) , Leon Huff , Quinton Joseph ( Programmed Synthesizer B1 ) , Jim Salamone , Randy Cantor ( Programmed Synthesizer B3 ) . La direction artistique de l'album est confiée à Tony Sellari assisté de Lynn Bartell ( Clothing Stylist ) , Graig Gadson ( Make Up ) , Larry James ( Nails ) et du photographe Jean Pagliuso ( Cover ) . La production de l'album est répartie entre Bunny Sigler ( A1 , A2 ) , Dexter Wansel ( A3 ) , Kenny Gamble , Reggie Griffin ( A4 ) , Kenny Gamble , Leon Huff ( B1 ) , Al McKay , Zane Giles ( B2 , B4 ) et Larry Davis , William Lacy ( B3 ) .

A 1 ) Do You Get Enough Love 4'38

A 2 ) Breaking Up 4'23

A 3 ) Last Night I Needed Somebody 4'48

A 4 ) She Knew About Me 4'38

B 1 ) Always In The Mood 5'21

B 2 ) I'll Do Anything For You 4'50

B 3 ) Surrender 4'37

B 4 ) Caught Me With My Guard Down 3'58

Bonus du CD Européen sur le label Westside Records WESM 523 [ EU ] de 1998 . 

We Can Work It Out 3'36

I'll Do Anything For You [ Remix ] 6'29

L'édition CD Américain sur le label Philadelphia International Records CDP 7-46423-2 [US] de 1986 .

L'édition CD Européen sur le label Westside Records WESM 573 [ EU ] de 1998 .